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    <lastmod>2024-08-27</lastmod>
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    <loc>https://www.raymondthang.com/blog/tenet</loc>
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    <lastmod>2020-12-26</lastmod>
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      <image:title>Blog - Tenet Review - Tenet Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/queensgambit</loc>
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    <lastmod>2020-11-30</lastmod>
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      <image:title>Blog - The Queen's Gambit Review - The Queen’s Gambit Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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    <loc>https://www.raymondthang.com/blog/worldoftomorrow3</loc>
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    <lastmod>2020-11-11</lastmod>
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      <image:title>Blog - World of Tomorrow Episode Three Review - World of Tomorrow Episode Three: The Absent Destinations of David Prime Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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    <loc>https://www.raymondthang.com/blog/wolfwalkers</loc>
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    <lastmod>2020-12-27</lastmod>
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      <image:title>Blog - Wolfwalkers Review - Wolfwalkers Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/americanutopia</loc>
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    <lastmod>2020-09-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1600306588572-MUBRZV0R893YB3XG6BR0/byrne.png</image:loc>
      <image:title>Blog - David Byrne's American Utopia Review - David Byrne’s American Utopia Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/anotherround</loc>
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    <lastmod>2020-09-17</lastmod>
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      <image:title>Blog - Another Round Review - Another Round Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/disclosure</loc>
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    <lastmod>2020-09-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1599947300525-CP0UW245L2VFQJE4SBN1/7e825efaa82570bf6030c9ebfc05d861df10b002.jpg</image:loc>
      <image:title>Blog - Disclosure: Trans Lives on Screen Review - Disclosure: Trans Lives on Screen Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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    <loc>https://www.raymondthang.com/blog/mulan</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2020-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1599460338416-0YY9CBXB2D6L3WPPJZTM/the-best-mulan-quotes-2020.jpg</image:loc>
      <image:title>Blog - Mulan 2020 Review - Mulan 2020 Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/imthinkingofendingthings</loc>
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    <lastmod>2020-09-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1599274848924-MHUA5VH960QTCMWI7DJ3/thinking-of-ending-things-ending.jpg</image:loc>
      <image:title>Blog - I'm Thinking of Ending Things Review - I’m Thinking of Ending Things Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/billandted3</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2020-09-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1598926984790-3KD1YR6H6APZ55SLY8G3/bill-and-ted-face-the-music-poster-vod-orion.jpg</image:loc>
      <image:title>Blog - Bill and Ted Face the Music Review - Bill and Ted Face the Music Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/palmsprings</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2020-09-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1595020019253-ZQO615ROJ859JU1QTIDO/palmsprings.0.jpg</image:loc>
      <image:title>Blog - Palm Springs Review - Palm Springs Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/theoldguard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1595019887112-RY6YLGI5MYR2IR7LELFF/ihvkh5wsj3vm2u1p_1594633087.jpeg</image:loc>
      <image:title>Blog - The Old Guard Review - The Old Guard Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/thewilloughbys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1587791137132-7IOH5DT6AA2V07QTEV6I/Willoughbys___Trailer_Stills___004.jpg</image:loc>
      <image:title>Blog - The Willoughbys Review - The Willoughbys Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/neverrarelysometimesalways</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1587707061542-UGL01WEOVP9LUTCUZYK4/Never-Rarely-Sometimes-Always.jpg</image:loc>
      <image:title>Blog - Never Rarely Sometimes Always Review - Never Rarely Sometimes Always Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
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  <url>
    <loc>https://www.raymondthang.com/blog/onward</loc>
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    <lastmod>2020-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1583872705971-XD8AH3HTRE3R8ISFM5Y5/onward.gif</image:loc>
      <image:title>Blog - Onward Review - Onward Review (2020)</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/theinvisibleman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1583713577870-GJF37JI7WP55FWFX336P/unnamed.jpg</image:loc>
      <image:title>Blog - The Invisible Man Review - The Invisible Man Review (2020)</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/harleyquinnbirdsofprey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1582486414629-Q5SG155E53FLJ1BYMU7K/birds-7-1.jpg</image:loc>
      <image:title>Blog - Harley Quinn: Birds of Prey aka Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) Review - Harley Quinn: Birds of Prey aka Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/1917</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1577601360245-GRSOJ6ZG55LUOBD9I79T/1917.jpg</image:loc>
      <image:title>Blog - 1917 Review - 1917 Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/starwars9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1577513078585-GO9FCNHWMXWMZ9VKEVUA/sw_tros.jpg</image:loc>
      <image:title>Blog - Star Wars: The Rise of Skywalker Review - Star Wars: The Rise of Skywalker Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/portraitofaladyonfire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1577433697163-EO7OBPJWIGKZEC9QX5UL/portrait_of_a_lady_on_fire-portrait_de_la_jeune_fille_en_feu-publicity_still-h_2019__0.jpg</image:loc>
      <image:title>Blog - Portrait of a Lady on Fire Review - Portrait of a Lady on Fire Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/abeautifuldayintheneighborhood</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1576622102721-RE96PGUK7XGWJZ7JR37Z/Tom-Hanks-as-Mister-Rogers-FTR.jpg</image:loc>
      <image:title>Blog - A Beautiful Day in the Neighborhood Review - A Beautiful Day in the Neighborhood Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/marriagestory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1575765709533-H04FX2WNYSQBU9ZT7243/marraige.jpg</image:loc>
      <image:title>Blog - Marriage Story Review - Marriage Story Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/frozen2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1575699643257-P95I9YW1HRFHU4B76CGC/with-scenery-that-resemble-a-final-fantasy-game-frozen-2-might-be-the-most-gorgeous-disney-movi.jpeg</image:loc>
      <image:title>Blog - Frozen II Review - Frozen II Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/theirishman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1575098100964-29VTKCZHSW3ACR00K1DE/The-Irishman-Still-Courtesy-of-TriBeCa.jpg</image:loc>
      <image:title>Blog - The Irishman Review - The Irishman Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/doctorsleep</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1573420622472-JN8YIUVWPMAE4CDNZ2FI/D89ERwfXkAEj9nj.jpg</image:loc>
      <image:title>Blog - Doctor Sleep Review - Doctor Sleep Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/thelighthouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1572115532637-JA7TRKGW7KYQ9HQOLLD7/1570555528295-037_TheLighthouse_167.jpeg</image:loc>
      <image:title>Blog - The Lighthouse Review - The Lighthouse Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/joker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1570227994297-1L5WJMZXUM8WE0LCQPKI/joker2.0.jpg</image:loc>
      <image:title>Blog - Joker Review - Joker Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/it2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1568403290539-9SLC4WPFE7MRRM9KV1ER/Screen-Shot-2019-07-18-at-9.21.16-AM.jpg</image:loc>
      <image:title>Blog - It Chapter Two Review - It Chapter Two Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/parasite</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1567219599918-VWUCWI0ELS9E1K637KQR/MV5BMjU1MTA3MzA2MV5BMl5BanBnXkFtZTgwNTUxMjQ4NzM%40._V1_-361600668-1565797920284.jpg</image:loc>
      <image:title>Blog - Parasite Review - Parasite Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/onceuponatimeinhollywood</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1564426166410-DGOVZABNU34IOLXT9HZG/once_upon_a_time_in_hollywood_margot_qt9_77846r_rgb.jpg</image:loc>
      <image:title>Blog - Once Upon a Time in Hollywood Review - Once Upon a Time in Hollywood Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/thefarewell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1563564258429-WU83RKXG8UDPVDVP02HG/the-farewell-film-still.jpg</image:loc>
      <image:title>Blog - The Farewell Review - The Farewell Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/spidermanfarfromhome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1563399640013-G92F77HKQU3RQ333AK3O/Spider-Man-horizontal.jpg</image:loc>
      <image:title>Blog - Spider-Man: Far from Home Review - "Spider-Man: Far from Home” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/midsommar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1562395026899-4T61TMFNATXYKSKWOTBT/3550462-screen+shot+2019-06-19+at+11.32.19+am.png</image:loc>
      <image:title>Blog - "Midsommar" Review - "Midsommar” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/toystory4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561188400665-R32I3XR63GZKUBQ7ZR1L/toy-story-4.jpeg</image:loc>
      <image:title>Blog - "Toy Story 4" Review - "Toy Story 4” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/godzillakingofthemonsters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561138496422-UH1HFQELGP3D8G03HLPU/wnspuc0vwj9h8gucgpe9.jpg</image:loc>
      <image:title>Blog - "Godzilla: King of the Monsters" Review - "Godzilla: King of the Monsters” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/rocketman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561138394602-9Z0UM2884PFIYIGE0A6R/Brody-Rocketman.jpg</image:loc>
      <image:title>Blog - "Rocketman" Review - "Rocketman” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/booksmart</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561138296779-GJGI9P299907GE2YQT3J/booksmart-BS_00129_R_rgb.jpg</image:loc>
      <image:title>Blog - "Booksmart" Review - "Booksmart” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/johnwick3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1558841658932-DKI589455AIMX22XGYPP/john-wick-3-review-promo.jpg</image:loc>
      <image:title>Blog - "John Wick: Chapter  3 - Parabellum" Review - "John Wick: Chapter 3 - Parabellum” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/avengersendgame</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1556425274255-3ZOKZ85AH4LU6493TGWY/PBpaPfht3TSS2rSg5ezHE.jpg</image:loc>
      <image:title>Blog - "Avengers: Endgame" Review - "Avengers: Endgame” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/shazam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1554490034494-AHB894H09HN57BGO9O20/ac02-APR-Shazam.jpg</image:loc>
      <image:title>Blog - "Shazam!" Review - "Shazam!” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1553328414261-BQ7S84A93T7XXR9W43I2/Us-movie-2019-poster.jpg</image:loc>
      <image:title>Blog - "Us" Review - "Us” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/captainmarvel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1552500347109-W9EXVZRRQBUFEU7EJU29/captain-marvel-review-2-1280x720.jpg</image:loc>
      <image:title>Blog - "Captain Marvel" Review - "Captain Marvel” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/lordsofchaos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1551144362848-5SDR20J5OXB93NCEFQH1/lords-of-chaos-mit-rory-culkin-jack-kilmer-jonathan-barnwell-und-anthony-de-la-torre.jpg</image:loc>
      <image:title>Blog - "Lords of Chaos" Review - "Lords of Chaos” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/alita</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1550973419426-6ECZ3F07HRDD4ZS8H4GT/alitabattleangel.jpg</image:loc>
      <image:title>Blog - "Alita: Battle Angel" Review - "Alita: Battle Angel” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/howtotrainyourdragon3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1550971052231-1KF3U0GS9F441OORNAKD/how-to-train-your-dragon-hidden-world-2.jpg</image:loc>
      <image:title>Blog - "How to Train Your Dragon: The Hidden World" Review - "How to Train Your Dragon: The Hidden World” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/legomovie2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1549936432864-OGC04N4EGXC4YIF26Z87/image.jpg</image:loc>
      <image:title>Blog - "The Lego Movie 2" Review - "The Lego Movie 2: The Second Part” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/shoplifters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1545956393618-X50LTJPS6YWMGA7CNH31/Willem-Dafoe-2.jpg</image:loc>
      <image:title>Blog - "Shoplifters" Review - "Shoplifters” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/ifbealestreetcouldtalk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1545872904079-3ENCT7QIB4X4B2KLLMU1/Beale-St..jpg</image:loc>
      <image:title>Blog - "If Beale Street Could Talk" Review - "If Beale Street Could Talk” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/spidermanintothespiderverse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1544848451660-W0SVLKENMSJP62ZZVHRB/spider-man-into-the-spider-verse-skyscrapers-artwork.jpeg</image:loc>
      <image:title>Blog - "Spider-Man: Into the Spider-Verse" Review - "Spider-Man: Into the Spider-Verse” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/lizandthebluebird</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1541725974844-LUDXPOMIXHEIT6MJYRHZ/liz.jpg</image:loc>
      <image:title>Blog - "Liz and the Blue Bird" Review - "Liz and the Blue Bird” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/thehousethatjackbuilt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1543561241893-G0RUCUJ09K84QY73ACSM/8c1d90deddcbe9a08b39f64d9638f3b24cc536ec.jpg</image:loc>
      <image:title>Blog - "The House That Jack Built" Review - "The House That Jack Built” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/ralphbreakstheinternet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1543251898812-3SWQL39ZQ97RLXL6VPRZ/669240826.jpg</image:loc>
      <image:title>Blog - "Ralph Breaks the Internet" Review - "Ralph Breaks the Internet” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/busterscruggs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1542512517647-WQZKQ28WUICW7LA3QED7/the-ballad-of-buster-scruggs-james-franco-film.jpg</image:loc>
      <image:title>Blog - "The Ballad of Buster Scruggs" Review - "The Ballad of Buster Scruggs” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/widows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1542483660967-05EVP7LIN8KIK7YAVCL2/Widows_CampA_banner.jpg</image:loc>
      <image:title>Blog - "Widows" Review - "Widows” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/burning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1541959445868-M3O3UKVN0P7TDXOY6M5R/Burning-poster001f.jpg</image:loc>
      <image:title>Blog - "Burning" Review - "Burning” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/thegirlinthespidersweb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1540928556184-66KSZIORNM97SSIAHC4L/girl-dragon-claire-foy.jpg</image:loc>
      <image:title>Blog - "The Girl in the Spider's Web" Review - "The Girl in the Spider’s Web” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/suspiria</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1540928374668-25I5JC6MQRBT67O8AMJ5/suspiria_16_427_AB_SUSPIRIA_04_0328_5_EW_Fall_Preview_rgb.0.jpg</image:loc>
      <image:title>Blog - "Suspiria" 2018 Review - "Suspiria” 2018 Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/halloween</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1540078414966-8QVOLET61DKH46JOJUAN/AA68_D023_00164RV4.jpg_cmyk_2040.0.jpg</image:loc>
      <image:title>Blog - "Halloween" 2018 Review - "Halloween” 2018 Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/badtimesattheelroyale</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1539490754364-KGGAKEG8HHJ1SWF4T8UF/10c3062184ec4d04aea5a8afa45f26d5_31a3e14987ee4e0fb8134d5866706e3c_header.jpeg</image:loc>
      <image:title>Blog - "Bad Times at the El Royale" Review - "Bad Times at the El Royale” Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/thekindergartenteacher</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1539385155404-O7FO9Z6NRBWSIXNFOS1W/kindergartenteacher_0hero.jpg</image:loc>
      <image:title>Blog - "The Kindergarten Teacher" 2018 Review - "The Kindergarten Teacher" 2018 Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/thecakemaker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1538886910670-V9JCQA2VZNDAVJG2SSMU/kviff-the-cakemaker.jpg</image:loc>
      <image:title>Blog - "The Cakemaker" Review - "The Cakemaker" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/privatelife</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1538804564919-3HKC2T98ZNIDFW5Z8ZWT/default.jpg</image:loc>
      <image:title>Blog - "Private Life" Review - "Private Life" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/astarisborn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1538623176050-DNOUVU4CIFC1C2RZP2J0/A-Star-Is-Born-Movie-2018-4140310274-1535731413913.jpg</image:loc>
      <image:title>Blog - "A Star Is Born (2018)" Review - "A Star Is Born (2018)" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/holdthedark</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1538159460310-MCZ9X5LP0EH3FE8DV0F5/5baa5d9acca69.image.jpg</image:loc>
      <image:title>Blog - "Hold the Dark" Review - "Hold the Dark" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/mid90s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1537069305506-S3O4OE0U6GUJQ60KX3PA/mid90s_02.jpg</image:loc>
      <image:title>Blog - "Mid90s" Reaction - "Mid90s" Reaction</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/searching</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1535671329509-PGPFNVAS3TKJLBUKMOSU/Screen-Shot-2018-08-29-at-7.23.04-AM.png</image:loc>
      <image:title>Blog - "Searching" Review - "Searching" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/sharpobjects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1535671539720-0KUFJIINWPMZFMSQI20S/sharpobjects02.jpg</image:loc>
      <image:title>Blog - "Sharp Objects" Review - "Sharp Objects" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/maquia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1533237310261-QIEA1WI3PZV87FNEKV95/sayoasa_final_14.jpg</image:loc>
      <image:title>Blog - "Maquia: When the Promised Flower Blooms" Review - "Maquia: When the Promised Flower Blooms" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/mi6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1531941269411-V54Q0JEUSD76EZXVNO2W/180712-Schager-Mission-Impossible-hero__ihu4pb.jpg</image:loc>
      <image:title>Blog - "Mission: Impossible - Fallout" Review - "Mission: Impossible - Fallout" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/sorrytobotheryoureview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1532321509409-F07SY1MGG5U97SENGGDT/stby__1.2.1.00000001_R2_CROP_rgb-996x515.jpg</image:loc>
      <image:title>Blog - "Sorry to Bother You" Review - "Sorry to Bother You" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/eighthgradereview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1532233231771-33DHJY0KIEFBDWMNVKPX/EG_03734_rgb-1200x800.jpg</image:loc>
      <image:title>Blog - "Eighth Grade" Review - "Eighth Grade" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/antmanandthewasp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1531027690883-SUOEAY516A6442HPLT70/CBL-08564_R2-%281%29.jpg</image:loc>
      <image:title>Blog - "Ant-Man and the Wasp" Review - "Ant-Man and the Wasp" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/sicario2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1530330560632-KX3F01KTQ1IKURKDT1AC/sicario-2-soldado-sol_d41_13330_r.jpg</image:loc>
      <image:title>Blog - "Sicario: Day of the Soldado" Review - "Sicario: Day of the Soldado" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/incredibles2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1529005877929-VXKGOR8AEJ7IEQDFD3SG/incredibles-2-image.jpg</image:loc>
      <image:title>Blog - "The Incredibles 2" Review - "Incredibles 2" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/hereditary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1528402657312-ZF66PFKKSEIZN13XQLIL/image.jpg</image:loc>
      <image:title>Blog - "Hereditary" Review - "Hereditary" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/the-tale</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1527533784041-YWV13WIJB84ADQLNNYUN/the-tale-laura-dern.jpg</image:loc>
      <image:title>Blog - "The Tale" Review - "The Tale" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/deadpool2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1526862284541-W5B7SS25EK8SJMXKG1ZG/deadpool-2-review_7fbf.jpg</image:loc>
      <image:title>Blog - "Deadpool 2" Review - "Deadpool 2" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/avengers-infinity-war</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1524881687182-8TE6TI6RU2MF3IURP46Z/2018_03_02_41591_1519982334._large.jpg</image:loc>
      <image:title>Blog - "Avengers: Infinity War" Review - "Avengers: Infinity War" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/isle-of-dogs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1523066423119-YXMYXAPKV61K7CZOIWBZ/isle_of_dogs_still_20.jpg</image:loc>
      <image:title>Blog - "Isle of Dogs" Review - "Isle of Dogs" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/a-quiet-place</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1523065939465-T6X8QGJ98MA3MM7N75DP/image4.jpg</image:loc>
      <image:title>Blog - "A Quiet Place" Review - "A Quiet Place" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/unsane</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1521868963553-6BLU5YNZIN9U8TI47LEV/unsane.jpg</image:loc>
      <image:title>Blog - "Unsane" Review - "Unsane" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/the-strangers-prey-at-night</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1520664322613-MM0Q3NT8BN7Y0QWP7LVW/prey_fence.jpg.size-custom-crop.1086x0.jpg</image:loc>
      <image:title>Blog - "The Strangers: Prey at Night" Review - "The Strangers: Prey at Night" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/annihilation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1519451155414-G1FREDFXQEHKZMY4FVNK/Annihilation-poster-with-Natalie-Portman.jpg</image:loc>
      <image:title>Blog - "Annihilation" Review - "Annihilation" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/black-panther</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1518216635423-RB80G9288S3AEOQPGJY1/p05w3mjx.jpg</image:loc>
      <image:title>Blog - "Black Panther" Review - "Black Panther" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2018/02/05/the-cloverfield-paradox-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1517812540966-DF8LFDKI3BZI1JMEGBOH/landscape-1517793855-cloverfield-paradox.jpg</image:loc>
      <image:title>Blog - "The Cloverfield Paradox" Review - "The Cloverfield Paradox" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/12/22/the-shape-of-water-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1514090968777-KEL8CV4VRDPQO78DYG6G/The-Shape-Of-Water-Still.jpg</image:loc>
      <image:title>Blog - "The Shape of Water" Review - "The Shape of Water" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/12/22/call-me-by-your-name-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1513987631530-TQ5O1FZU2IDZ6JGQAV0P/59eefea19de1e475546385.jpg</image:loc>
      <image:title>Blog - "Call Me by Your Name" Review - "Call Me by Your Name" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/star-wars-the-last-jedi-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1513987486523-BFU72620D7QO4RT57GCH/star-wars-the-last-jedi-rey-daisy-ridley.jpg</image:loc>
      <image:title>Blog - "Star Wars: The Last Jedi" Review - "Star Wars: The Last Jedi" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/the-disaster-artist-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1512534578867-ZCPTAG5WR2200JFTN4UO/wff-2017-THE-DISASTER-ARTIST-Film-Still-Photo-465321.jpg</image:loc>
      <image:title>Blog - "The Disaster Artist" Review - "The Disaster Artist" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/coco-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1511663438416-NRP0M1VCAO8R98N00DFH/pixar-coco-guitar.jpg</image:loc>
      <image:title>Blog - "Coco" Review - "Coco" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/the-night-is-short-walk-on-girl-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1511584518972-67I9JQ9SLK7TEB8PNHJC/the-night-is-short-walk-on-girl-film-image.jpg</image:loc>
      <image:title>Blog - "The Night Is Short, Walk on Girl" Review - "The Night is Short, Walk on Girl" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/thelma-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1511332497827-CVB4VYNEH5WVSD0M6D37/thelma-movie-trailer-review.jpg</image:loc>
      <image:title>Blog - "Thelma" Review - "Thelma" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/the-square-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1511329934722-0MI6CQZ4U26LNKPKD3LQ/The_Square.png</image:loc>
      <image:title>Blog - "The Square" Review - "The Square" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/three-billboards-outside-ebbing-missouri-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1511066494251-FQE67WRC72NESA6YGU4N/Three_Billboards_01.jpg</image:loc>
      <image:title>Blog - "Three Billboards Outside Ebbing, Missouri" Review - "Three Billboards Outside Ebbing, Missouri" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/the-florida-project-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1510707898253-FRFQG5ZV7PB51BX4TBFX/img.jpg</image:loc>
      <image:title>Blog - "The Florida Project" Review - "The Florida Project" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/lady-bird-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1510636579882-BCX0E6L1NNVDVGNUEP3T/lady-bird-film.jpg</image:loc>
      <image:title>Blog - "Lady Bird" Review - "Lady Bird" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/the-killing-of-a-sacred-deer-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1510368615767-A68B479RILRFE5BNOSUX/the-killing-of-a-sacred-deer-trailer.jpg</image:loc>
      <image:title>Blog - "The Killing of a Sacred Deer" Review - "The Killing of a Sacred Deer" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/thor-ragnarok-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1510298060678-CERFSU5NLAPAH43BGAO7/thor-ragnarok-chris-hemsworth-mark-ruffalo-hulk.jpg</image:loc>
      <image:title>Blog - "Thor: Ragnarok" Review - "Thor: Ragnarok" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/blade-runner-2049-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1507350262859-0C5LQRWYLAUGQAE102FG/blade+runner.png</image:loc>
      <image:title>Blog - "Blade Runner 2049" Review - "Blade Runner 2049" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/kingsman-the-golden-circle-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1506739619923-8CSPV5XA8FIGY1FGL3T5/kingsman.jpg</image:loc>
      <image:title>Blog - "Kingsman: The Golden Circle" Review - "Kingsman: The Golden Circle" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/it-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505620287965-Z0ONDCJNY1NR69S9KIEC/it.jpg</image:loc>
      <image:title>Blog - "It" Review - "It" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/mother-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505581191394-0PPH39TD3GFS655EIWO3/mother.jpg</image:loc>
      <image:title>Blog - "mother!" Review - "mother!" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/a-ghost-story-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505580889790-WAS35EX12ZB4XSBQTKEL/ghost.jpg</image:loc>
      <image:title>Blog - "A Ghost Story" Review - "A Ghost Story" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/atomic-blonde-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505580822411-EVTJYNP8WK9HWV06YBID/atomic.jpg</image:loc>
      <image:title>Blog - "Atomic Blonde" Review - "Atomic Blonde" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/dunkirk-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505580743419-BJ53QSYSW239H8TLFHDG/dunkirk-movie-1.png</image:loc>
      <image:title>Blog - "Dunkirk" Review - "Dunkirk" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/the-big-sick-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505580673383-V2BF0EF99FIZ26VC6M6E/the-big-sick-1200-1200-675-675-crop-000000.jpg</image:loc>
      <image:title>Blog - "The Big Sick" Review - "The Big Sick" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/wftpota-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
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      <image:title>Blog - "War for the Planet of the Apes" Review - "War for the Planet of the Apes" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/spiderman-homecoming-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505580501123-75RSRHVSRKH9XV9A7Q0G/Spider-Man-Homecoming-Hot-Toys-Deluxe-Figure-Cropped.jpg</image:loc>
      <image:title>Blog - "Spider-Man: Homecomeing" Review - "Spider-Man : Homecoming" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/transformers-the-last-knight-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-26</lastmod>
    <image:image>
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      <image:title>Blog - "Transformers: The Last Knight" Review - "Transformers: The Last Knight" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/okja-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
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      <image:title>Blog - "Okja" Review - "Okja" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/cars-3-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
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      <image:title>Blog - "Cars 3" Review - "Cars 3" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/it-comes-at-night-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
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      <image:title>Blog - "It Comes at Night" Review - "It Comes at Night" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/wonder-woman-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
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      <image:title>Blog - "Wonder Woman 2017" Review - "Wonder Woman" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/alien-covenant-review</loc>
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    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505579822774-MOVYWL2Q9J9HETT5HV9R/alien.jpg</image:loc>
      <image:title>Blog - "Alien: Covenant" Review - "Alien: Covenant" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/baby-driver-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505579693977-27I0JLHBWTHSBSBLPOFJ/baby.jpg</image:loc>
      <image:title>Blog - "Baby Driver" Review - "Baby Driver" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/guardians-of-the-galaxy-2-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505579608300-76M6R99VLJ10R3PFTLK8/hero_GOT2-2017.jpg</image:loc>
      <image:title>Blog - "Guardians of the Galaxy Vol. 2" Review - "Guardians of the Galaxy Vol. 2" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/colossal-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505579469573-22S9OQK1MIRPU4S3NYBC/colossal-05-cinematography-a-fixer-upper-123wtf-saint-pauly.jpg</image:loc>
      <image:title>Blog - "Colossal" Review - "Colossal" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/the-discovery-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505579340380-6G2PQAJYX9WFXW9J533R/17469-1-1100.jpg</image:loc>
      <image:title>Blog - "The Discovery" Review - "The Discovery" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/ghost-in-the-shell-2017-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505579250787-NPQ3EGG5DGQQ264G301B/ghost-in-the-shell-3.jpg</image:loc>
      <image:title>Blog - "Ghost in the Shell" 2017 Review - "Ghost in the Shell 2017" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/your-name-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505579113771-ZI3TGIRAXFCJWZBTCS02/your-name.png</image:loc>
      <image:title>Blog - "Your Name" Review - "Your Name" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.raymondthang.com/blog/2017/9/16/kong-skull-island-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505578680480-YYHQDIAA4407HNRCDROQ/Screen+Shot+2017-03-09+at+7.23.14+AM.png</image:loc>
      <image:title>Blog - "Kong: Skull Island" Review - "Kong: Skull Island" Review</image:title>
      <image:caption>Guess what, Legendary Pictures is building a giant monster shared cinematic universe. You know, like Marvel. But unlike Marvel, the only good characters in these movies are giant CG creatures that have zero lines of dialogue. A good movie is based on good characters. Godzilla obviously failed as a character piece but was able to build tension and dread and cash in on an amazing Bryan Cranston performance. With Kong, we have none of that. Maybe some cool shots of a giant gorilla wrecking house. But where's the dramatic impact? This is the most expensive ensemble cast to have been wasted on such abysmal material. The movie tries to cram in the best period appropriate music it can find to cheap effect (think "Suicide Squad" but marginally less on-the-nose). Also, it's noticeably lacking purpose in its cinematography and editing as well. We cut to a shot of a God's-eye view of a spinning fan without cross-fading to the blades of a helicopter, unlike "Apocalypse Now"; we see no build up to a fetishized cranking action sequence unlike "300". We get it, this movie loves making movie references. But what's the point if the homage don't accumulate to anything? Godzilla 1. Kong 0.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.raymondthang.com/videos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1598060612887-HUWQQKHIWET7B0W089M3/image-asset.png</image:loc>
      <image:title>Films - Demo Reel - Writer | Director | Editor - Raymond Thang</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1598060612887-HUWQQKHIWET7B0W089M3/image-asset.png</image:loc>
      <image:title>Films - Demo Reel - Writer | Director | Editor - Raymond Thang</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1738691016933-R12ETG0S4EWG518R0CMY/image-asset.jpeg</image:loc>
      <image:title>Films - Naoko Yamada: Music and Movement</image:title>
      <image:caption>With the release of The Colors Within, I felt it was a perfect time to celebrate how Naoko Yamada’s style and focus on body language and music have propelled her projects as the coming-of-age classics that they’ve been known as.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1724174717686-KQJ60W0NSYZGG7AM9UH9/image-asset.jpeg</image:loc>
      <image:title>Films - What Made the Truck Scenes in Licence to Kill so Special</image:title>
      <image:caption>Video analysis of the James Bond tanker chase</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1725050547498-8SPCAHDHL8WKT5MGUBWP/image-asset.jpeg</image:loc>
      <image:title>Films - DENISE - Their Blood Music Video</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505577117561-AH5J5LTQZ1C0LXP6WDHD/image-asset.jpeg</image:loc>
      <image:title>Films - The Super Justice Team Pilot</image:title>
      <image:caption>Jess, a socially isolated young woman, wakes up to find that she is suddenly able to hear voices in her head. Kyle, her boyfriend grows more and more concerned over her mental state while trying to fight off his own demons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1724174916734-7BKPW95927C50T4UJSJT/image-asset.jpeg</image:loc>
      <image:title>Films - What Green Day Means to Me | American Idiot | Snackers Prime</image:title>
      <image:caption>A video essay and memoir about my experiences with Green Day's landmark 2004 album American Idiot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1724175032537-JWWTK5QJYP9TTZNQ4H6B/image-asset.jpeg</image:loc>
      <image:title>Films - What made the Terminator 2 Truck Scenes So Special</image:title>
      <image:caption>Video analysis of the chase scenes of the 1991 masterpiece Terminator 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1724175156894-OBKO7B53AXA83YO3SXH6/image-asset.jpeg</image:loc>
      <image:title>Films - Why Duel Is So Iconic</image:title>
      <image:caption>A video analysis celebrating the Spielberg classic Duel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1724175240716-SYUQDAABCZ5M1YRD2HL4/image-asset.jpeg</image:loc>
      <image:title>Films - How The War Rig Became One of Cinema's Greatest Characters</image:title>
      <image:caption>A video essay about the greatest non-human character in action cinema: The War Rig from Mad Max: Fury Road</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1724201799745-MXQ7OJ6Z49TIGBMAVZ1Z/image-asset.jpeg</image:loc>
      <image:title>Films - EMDECS Customer Story: Schwend Inc.</image:title>
      <image:caption>Schwend Inc Trucking Software Testimonial</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/59bd460e7131a50df25c5373/59bd4820a8b2b0951527a379/59bd489d44cfcf78ec469da3/1505577093001/</image:loc>
      <image:title>Films</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1724201876574-1UIUTH415T4G12QNGIW0/image-asset.jpeg</image:loc>
      <image:title>Films - Schwend Testimonial | Switching from Pen and Paper to EMDECS for Better Fleet Maintenance</image:title>
      <image:caption>EMDECS trucking software (Schwend Inc Testimonial)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1609809354043-Q6IK21NQMAORN4CNCUAS/image-asset.jpeg</image:loc>
      <image:title>Films - Top 10 Movies of 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1577829372958-V4Q8P71ZVHQ95VASXAUU/image-asset.png</image:loc>
      <image:title>Films - Top 10 Movies of 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1505577170956-I3ISYXYRYBDSIIUIMAXH/image-asset.jpeg</image:loc>
      <image:title>Films - The Super Justice Team Pilot</image:title>
      <image:caption>Jess, a socially isolated young woman, wakes up to find that she is suddenly able to hear voices in her head. Kyle, her boyfriend grows more and more concerned over her mental state while trying to fight off his own demons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561868549277-PX61T21TTIUZ3H21Z5GX/image-asset.jpeg</image:loc>
      <image:title>Films - The Food Incident</image:title>
      <image:caption>Role: Producer, director, writer, editor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561868391233-ZDI0A977EMZNSUS50IJG/image-asset.jpeg</image:loc>
      <image:title>Films - From Hero to Katana Zero</image:title>
      <image:caption>Role: Producer, Host, Director, Editor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561868467977-0IXFDQZROOQ0P99PXMW8/image-asset.jpeg</image:loc>
      <image:title>Films - How Tuca and Bertie Portrays Workplace Abuse</image:title>
      <image:caption>Role: Writer, editor, voice over</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561868164230-85H3CYDHPCHFXZU10MW9/image-asset.jpeg</image:loc>
      <image:title>Films - Deadpool Movie Discussion f. Sean Ward | The Canadian Nerd TALKS</image:title>
      <image:caption>Role: director, producer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561868241974-AWJTQTAOBG7WLYKUTU3R/image-asset.jpeg</image:loc>
      <image:title>Films - The Canadian Video Game Awards 2015 f. David Hayter, Elias Toufexis and more!</image:title>
      <image:caption>Role: director</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1561868307320-00RHAZYOVAYBLMWJC5DP/image-asset.jpeg</image:loc>
      <image:title>Films - Starcraft World Championship Series Season 2 : Saturday</image:title>
      <image:caption>Role: Camera operator</image:caption>
    </image:image>
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  <url>
    <loc>https://www.raymondthang.com/demoreel</loc>
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    <priority>0.75</priority>
    <lastmod>2020-08-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1598059847899-SDDXMJGMGV771B3GFLY5/image-asset.jpeg</image:loc>
      <image:title>Demo Reel - Demo Reel - Writer | Director | Editor - Raymond Thang</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1598059847899-SDDXMJGMGV771B3GFLY5/image-asset.jpeg</image:loc>
      <image:title>Demo Reel - Demo Reel - Writer | Director | Editor - Raymond Thang</image:title>
    </image:image>
    <image:image>
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      <image:title>Demo Reel</image:title>
    </image:image>
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  <url>
    <loc>https://www.raymondthang.com/music</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-20</lastmod>
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      <image:title>Music - DENISE - Their Blood Music Video</image:title>
      <image:caption>Single from my band Denise Music Video co-directed, storyboarded, and edited by me</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1694703734331-9OF5UART710CAXX3MID8/image-asset.jpg</image:loc>
      <image:title>Music - 'Guilt of Canada' by DENISE</image:title>
      <image:caption>Guitarist, vocalist, and songwriter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1724175414586-K9OS253DPYH6ABPBPUKG/image-asset.jpeg</image:loc>
      <image:title>Music - DENISE - Their Blood Music Video</image:title>
      <image:caption>Single from my band Denise Music Video co-directed, storyboarded, and edited by me</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/59bd460e7131a50df25c5373/65031ecd82e78d7890884b96/65031ee721ce673a8a969475/1724175466613/</image:loc>
      <image:title>Music</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59bd460e7131a50df25c5373/1724175589654-ZOCHKAKY8GYBK39MO7RK/image-asset.jpeg</image:loc>
      <image:title>Music - DENISE - Only If</image:title>
      <image:caption>Song from my band's EP "Guilt of Canada"</image:caption>
    </image:image>
    <image:image>
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      <image:title>Music - Indigo and Lavander by Attacking Squirrels</image:title>
      <image:caption>Songwriter</image:caption>
    </image:image>
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  <url>
    <loc>https://www.raymondthang.com/about</loc>
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    <lastmod>2024-08-27</lastmod>
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  <url>
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    <lastmod>2024-08-27</lastmod>
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      <image:title>Contact Me</image:title>
      <image:caption>Photo credit: Kishan Mistry</image:caption>
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